UNIT IX. The shameful Power Movement II: African American Cultural Expressions of dreary Power / Gender & blue Nationalism A. unappeasable Power Themes: Assertion of cruddy pride and beauty, ingenuous masculinity and consciousness, desire for economic power and to control African American communities, and to end of police brutality. B. Various Manifestation of dour Power: Definitions & Expressions of sable Power: In his seminal work, innovative Day in Babylon William L. Van DeBurg argues that the Black Power movements, although short-lived, lead in creating a cultural revolution and raised and wobble the consciousness of African American men and women. Van DeBurg asserts that Black Power was manifested in a variety of forms and intensities, and is best until now as a broad, adaptive, cultural term serving to pass on in and illuminate the differing ideological orientations of the movements supporters. some(prenominal) African Americans appropriated, tender, borrowed, and reconstructed black-nationalist themes of social, political, and economic independence to fit their socio-economic realities. They subscribed to black power discourse that espoused themes of empowerment, autonomy, and the idea of black main(a) communities. C.

nonionic Crime / do drugs Rackets of the 1960s: Frank Lucas & incision Barnes; Drug racketeers appropriate of Black Power themes and sell to drugs to African American communities. D. Black Entertainment & Political & Cultural Activism 1. Black entertainment had a sense of obligation to the African American pa rtnership and the black freedom struggle. ! 2. Historical Examples of black entertainers as activists a. Actress Hattie McDaniel: chairwoman of the Negro Division of the Hollywood Victory committal; appendage of Sigma Gamma Rho, an African American Greek letter sorority. b. Josephine baker: Refused to performed in segregated audiences; worked the NAACP, and spoke at the demo on Washington in August 1963 c. Actor...If you want to stool a full essay, order it on our website:
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